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TIME: Almanac 1995
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TIME Almanac 1995.iso
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050294
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05029931.000
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1995-02-24
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<text id=94TT0516>
<title>
May 02, 1994: Cinema: Dead Beat
</title>
<history>
TIME--The Weekly Newsmagazine--1994
May 02, 1994 Last Testament of Richard Nixon
</history>
<article>
<source>Time Magazine</source>
<hdr>
ARTS & MEDIA/CINEMA, Page 74
DEAD BEAT
</hdr>
<body>
<p> Recipe for a specious musical biopic: be a rebel, die young
</p>
<p>BY RICHARD CORLISS
</p>
<p> The most pungent cultural spillage from the early death of
any rock star--of Buddy Holly or Ritchie Valens, Jim Morrison
or Sid Vicious--may be the movie made from his life. Producers
paw through old press clippings, take a quick snort of the current
zeitgeist, tack on a note of mythical tragedy and voila!, a
tale for our time with a hit sound track guaranteed.
</p>
<p> This is a low business, exploiting a musician's notoriety and
an audience's star lust. It has reached a nadir of sorts with
Backbeat, a homoerotic paean to Stuart Sutcliffe (Stephen Dorff),
the fifth Beatle. Or maybe the sixth, if you count pre-Ringo
drummer Pete Best and leave out George Martin and Murray the
K.
</p>
<p> Stu, a budding painter and middling bassist, may seem a long
shot for rock immortality. He died at 22, months before the
group, which he had earlier quit, cut its first record. But
according to Backbeat, Stu was the dreamboat heart of the combo
and John Lennon (Ian Hart) was its soul. Paul McCartney (Gary
Bakewell) and George Harrison (Chris O'Neill) only whined and
purred, respectively, while Lennon and Sutcliffe did the heavy
lifting. John, you see, was Liverpool's own angry young man
and the sole creator of this proto-punk, ur-grunge band (don't
you love revisionism?). And Stu, preening moodily, was John's
closet love god--before a brain tumor drove Stu mad and killed
him, thus establishing his credentials as a rock Rimbaud.
</p>
<p> Backbeat has an attractive cast and a passionate rock-'n'-roll
score (played by some top young musicians). But with its attention
to the posturings of Lennon and the untalented Stu, the movie
succumbs to the post-Madonna notion that pop success is all
a matter of attitude. That's so misguided. If you have any doubt,
listen to the songs.
</p>
</body>
</article>
</text>